De-Stijl(The Style),also called Neoplasticism is recognizable by the phthisis of straight horizontal and upended lines as well as the use of the primary change red, yellow and blue. They also use the pretexts black, white and gray. It is a style that went ski natural covering to the fundamental elements of the art: color and form, direct and line. With these elements the artist develop new sculptural wording and with that the situated the ideal founding opposite the reality. Â Â Â Â Â Â Â Â Most of the artists apply disagreeable and propagate forms, tautness and space, color and form. But apply these elements at bottom virtuoso painting, the ideal harmony could be reached. All the elements bugger make their own function in totality. Â Â Â Â Â Â Â Â The lines are the limits and make the unmortgaged or closed forms. The lines are also used to do a certain space. The border of the painting is not the goal of the painting. By using only(prenominal) the primary colors, the artist could deport a 3-dimensional effect. The colors invoke immediate attention and the relievo of the painting seems to go to the buttground. It looks interchangeable the white forms are kick upstairs back than the colored forms. Therefore, the artists created a front and a back in their paintings. The development of De Stijl The De Stijl effect was started in Netherlands from 1917 to 1931.

The founder, Theo van Doesburg started a group which was an association of mountain lion Piet Mondrian, Bart van der Leck, and Vilmos Huszar, the internal decorator Jacobus Johannes Pieter Oud, the poet and essayist Antony Kok and new(prenominal) artists. Theo van Doesburg applied De Stijl principles to architecture, grave and typography. He edited and print the journal De Stijl from 1917 until his death in 1931. This event spread the movements possibility and philosophy to a wide audience. De Stijl... If you wishing to get a full essay, order it on our website:
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